The Conversant republishes excerpts from HER KIND, a digital literary community powered by VIDA: Women in Literary Arts. An earlier version of this present conversation can be found here.
Sheryl Luna asked three questions to three Latina writers—Cynthia Cruz, Christine Granados and Carmen Giménez Smith—on the state of literature and the literary publishing scene for women who happen to be Latina. Their diverse answers are a testament to the fact that Latina writers cannot be pigeonholed into one monolithic, simplistic category. Latinas are writing and interacting with each other all over the country, and it is exciting. Varying aesthetic approaches are also evident. Overall, Latina presence in larger literary circles has, in Luna’s opinion, often been minimal due to a tendency of the mainstream to look to men as representative of minority voices.
Another issue that catalyzed Luna to ask these three specific questions is that Latina writing has frequently been tokenized, with one or two writers in the contemporary American spotlight. The questions, albeit brief, were meant to be open questions that allowed writers to explore what it means to be writing as a Latina in contemporary American literature.
Sheryl Luna: How do you feel about the state of the contemporary literature scene regarding publishing opportunities for Latina poets and writers, particularly in major traditional venues such as Poetry, New Yorker, Harper’s and The Paris Review? What if anything should be done about this issue by individual Latinas writing and/or publishing? How might our voices be heard by the larger literary communities writing today?
Cynthia Cruz: I do think Latina poets can have their work published in some of the larger, traditional venues but it’s certainly hard. Deborah Paradez, Emmy Perez, Desiree Alvarez and Carmen Gimenez Smith have all had poems published in Poetry. Carmen has also had her work published in the Boston Review and Carolina Ebeid has had her work published in the Kenyon Review. Ada Limon had been published in The New Yorker. The fact of the matter is that it’s difficult for anyone to have their work published in these venues. The only thing I know to do is to continue writing and continue sending out.