Since 1993, Jeffrey J. Williams has conducted over 50 interviews with contemporary critics, philosophers and writers. The Conversant is pleased to republish a selection of these interviews. This interview with Toril Moi took place September 1, 2006 in Toril Moi’s office at Duke University. It was conducted and edited by Jeffrey J. Williams, and transcribed by Heather Steffen.
Jeffrey Williams: Sexual/Textual Politics burst onto the scene in the mid-80s and changed the representation of feminism in the U.S. You became a kind of European informant of French feminism, and to some you were perceived as attacking Anglo-American feminism for its essentialism and waving a banner for French feminism. How do you see the reception of that book when you look back?
Toril Moi: The argument in the book wasn’t actually “Anglo-American feminism is bad; French feminism is good”; the argument was that the great thing about the Americans was their strong and explicit political allegiances, and that the actual politics of the French were often incredibly vague. I also thought that the Anglo-American development, which had been exciting to me because it was thinking about women and writing in completely new ways, was almost theoretically unconscious in the late 1970s, just as the theory wave was happening. I thought the French feminists that I read had a much more solid theoretical formation, but that they were lacking in politics. I also found them on the whole ahistorical and idealist. The idea that I was setting up a binary where one was positive and the other was negative was based on fairly superficial reading. I think that there are other problems with the book, but in each chapter I tried to give as fair an account of what the theorists in question were saying as I could, and then I tried to show where the problems were. I was also astounded when I heard that people thought I was a great fan of Irigaray and Cixous, which I have never been.