Thomas Fink with Sean Singer

Thomas Fink (painting by Maya D. Mason, 30" x 40", oil on canvas, 2015) and Sean Singer
Thomas Fink (painting by Maya D. Mason, 30″ x 40″, oil on canvas, 2015) and Sean Singer

Thomas Fink: Honey and Smoke contains several long poems. In the 40 sections of the prose-poem, “Black Swan,” at least 2/3 of the sections pertain to the political history of Newark, New Jersey. Later, we’ll address how these parts relate to others that seem to be about very different topics, but for now, let’s focus on the interplay of the accumulation of knowledge and questioning (doubt) in these sections. In the fifth section, you point to the cause of the Newark riots of 1967 by saying that “the history of Newark,” though “central to understanding the political narrative of race and Civil Rights,” had been “largely ignored,” and that “Jim Crow… had a red beak and leathery acne-red wattle in the social fabric of Northern cities like Newark” (53). The fourth part consists of 17 questions and one final, highly metaphorical declarative sentence. These are the first five questions:

How to explore the effect of the Newark riots? How do the city police escalate violence? How do the state police escalate violence? How does the National Guard escalate violence? How do female looters strip mannequins? (53).