Last summer, Andy Fitch interviewed 60 poets about their latest books. Ugly Duckling Presse will publish these collected interviews in 2013. This interview focuses on Kapil’s book, Schizophrene (Nightboat). Recorded November 1st. Transcribed by Maia Spotts.
Andy Fitch: You’ve described this edition of Schizophrene as a mutation of its predecessor. Could you discuss what has changed, and the motivations or circumstances behind those changes? What only can be arrived at through mutation? How does mutation-based composition facilitate and/or complicate your ongoing efforts to develop a book or sentence or narrative that “never arrives”?
Bhanu Kapil: Before you called I tried to find a copy of Schizophrene. Fittingly, I found one that is neither the first nor second edition, but a literal mutation that Lucas de Lima sent to me with a letter. Hang on. I shall open it. It says: “Enclosed is an occult copy of Schizophrene. Hope you don’t mind me saying that I love both versions of the book. So did most students, who thought the repeated pages were intentional, as did I.” Around page 19 this version repeats. Following the line ” ‘Reverse migration. . . ‘ Is psychotic,” the book just starts again. But not only does it restart. It condenses and excludes some sections. Perhaps 100 similar copies have circulated. Lucas has written about it on the Montevidayo blog. Though my own emphasis upon mutation comes from the thinking of Elizabeth Grosz, as communicated to me by her protégé Andrea Spain. Andrea and I will teach a workshop on this topic next summer at Naropa. From Grosz I take the notion of non-reproductive productivity. The larger the number of generative acts that do not result in “progeny,” the faster a species’ outer boundaries evolve. Mating need not involve childbirth. The mutations always occur in another place, a place not visible as a boundary, but which precedes a boundary. This pre-space or activity vibrates with the limit of what that space will become. Schizophrene, in its notebook form, presents both an installation and a staging ground. In fact the bulk of this project does not reside in the finished book, but in many notebooks and documents that contain my research on psychosis, immigrant experience, touch.