The conversation below is the first in a series of interviews with the three members of the editorial collective information as material: Nick Thurston, Craig Dworkin, and Simon Morris. The series will explore the work of each of these three men both inside and outside of that particular collaborative framework. It is meant in part as a an exploration on the nature of collaboration itself, and as a meditation on the relationship between the individual artist and the artist acting collectively.
I first met Nick Thurston this February in Rochester, New York, where he was giving a talk to a classroom of undergraduate students at the Rochester Institute of Technology. The students had just finished reading Thurston’s recently release book Of the Subcontract.
Sofi Thanhauser: When I heard you present at RIT I was struck in particular by your intonation, by the way you seemed to be stringing a complex argument together using a logic that was partly sung. Later, when I read your piece Status_Anxieties (Some notes on Of the Subcontract) in The Journal of Conceptual Criticism, the little arrows threaded through the first part of the text reminded me of that musicality. It seems to me as though there is a consistent gesture in your work towards extralinguistic content; a harmonic playing under or through the expository prose that acts as an argument against taking meaning to be something hermetically sealed within words or sentences. Am I making too much of the way you talk?