In this conversation, we discuss New England frugality, ghosts, and how dance can inform poetics. Kate Colby’s Fruitlands won the Norma Farber First Book Award in 2007. Since then, she has written five books of poetry, including I Mean, her most recent, which was published in 2015 by Ugly Duckling Presse. Kate’s poems are taut, their movements agile. At display throughout her work is intelligence, wit, and formal inventiveness. Very little escapes Kate’s attention; she is a poet of wide-ranging curiosity and rigorous inquiry. We “spoke” over email and then in person, too.
Mary-Kim Arnold: Earlier this year, you hosted a “poet’s walk” through the Isabella Stewart Gardner Museum. How did the idea for this come about?
Kate Colby: It wasn’t an idea so much as the end of a trajectory. I had been reading and writing about Gardner for a long time and really wanted to engage with the physical museum.
A couple of years ago Brooklyn-based artist Todd Shalom, who is my best friend and foil, was invited to create an experiential artist walk at the deCordova Museum outside Boston, and he asked me to do it with him, since I grew up in and write so much about the region. The public programs director at the Gardner Museum attended one of the walks and she later asked me to do the same sort of thing at the Gardner.