Miranda Mellis and Frances Richard each published two new books in 2012. Mellis’ novella The Spokes came out from Solid Objects, while Sidebrow Press published her collection of stories, None of This Is Real. Richard’s books of poems The Phonemes and Anarch. came out from Les Figues Press and Futurepoem, respectively. Fictioneer and poet—who are first cousins—conversed via email between January and April, 2013.
Miranda Mellis: In the short public conversation that followed our reading in Brooklyn last year, you described the endings of the stories in None of This Is Real as precipice-like: Abrupt fade-outs that left you hanging/falling, unresolved and—do I remember correctly?—devastated. For you, those endings weren’t endings but cuts. I responded by saying I don’t feel the muscle of closure. The endings feel true to me, because the stories exist in worlds where there are radical discontinuities. The ending of The Spokes was, as I recall, more satisfying for you because there is a rally with the final line: “Still, we should try.”