Small-press publishers have the lucky opportunity to talk candidly with authors about the downturns and updrafts of the creative process which brought them to the moment of completion that we call a book. As Omnidawn’s co-publisher and senior poetry editor, I’ve had that great good fortune. It finally occurred to me that the readers and reviewers of these books might enjoy hearing some of this talk, too. Of course, a book of poetry needs no introduction or liner notes. But I’m always interested in any stories about how and where authors’ intentions and the actual creative work tangle together. So I started asking each of our authors a few questions in writing, and then enclosing these “interviews” with our advance/review copies. When the book is published, I post the interview on the book’s web page. The Conversant’s editors have asked if they might select some of those interviews to publish. It is my pleasure to say yes! The interview focuses on Paul Hoover’s book, desolation : souvenir.
Rusty Morrison: What aspects of your history and/or what particular obsessions of yours do you see apparent in?
Paul Hoover: desolation : souvenir began as a “filling in” of the blank spaces in A Tomb for Anatole, Paul Auster’s translation of Mallarmé’s grief-stricken notes for a poem that he never completed on the death of his ten-year-old son. However, my writing soon turned to my own consideration of life, death, the breaking of family relations and loss of love as experienced by all of us: