Small-press publishers have the lucky opportunity to talk candidly with authors about the downturns and updrafts of the creative process which brought them to the moment of completion that we call a book. As Omnidawn’s co-publisher and senior poetry editor, I’ve had that great good fortune. It finally occurred to me that the readers and reviewers of these books might enjoy hearing some of this talk, too. Of course, a book of poetry needs no introduction or liner notes. But I’m always interested in any stories about how and where authors’ intentions and the actual creative work tangle together. So I started asking each of our authors a few questions in writing, and then enclosed these “interviews” with our advance/review copies. When the book is published, I post the interview on the book’s web page. The Conversant’s editors have asked if they might select some of those interviews to publish. It is my pleasure to say yes!
Rusty Morrison: How/why did you begin Debts & Lessons? What initiated the work?
Lynn Xu: The first poem in the book is called “Say You Will Die For Me,” and it is a triptych for many reasons, but the main one is: How to think of love as an argument? In the wake of “twin heartbreaks,” let’s say, I wrote this poem, and my self-appointed recuperation involved a lot of French theorists: Levinas (on alterity), Nancy (on being-with), Barthes (on the lover) and Derrida (on envois). The second and third series were written a few years later, between Oaxaca and New York, when Josh and I were first falling in love. A lot of what now remain used to be sonnets. Like all things, sonnets will decay and tear open with time and listening. Continue reading