Small-press publishers have the lucky opportunity to talk candidly with authors about the downturns and updrafts of the creative process which brought them to the moment of completion that we call a book. As Omnidawn’s co-publisher and senior poetry editor, I’ve had that great good fortune. It finally occurred to me that the readers and reviewers of these books might enjoy hearing some of this talk, too. Of course, a book of poetry needs no introduction or liner notes. But I’m always interested in any stories about how and where authors’ intentions and the actual creative work tangle together. So I started asking each of our authors a few questions in writing, and then enclosing these “interviews” with our advance/review copies. When the book is published, I post the interview on the book’s web page. The Conversant’s editors have asked if they might select some of those interviews to publish. It is my pleasure to say yes! –Rusty Morrison
Rusty Morrison: Cassie! How to begin an interview with you!? I’ve known you so many years, and I have such enormous respect for your canny insight into the art of writing and trajectories of poetic practice in our current era. And Omnidawn has been so lucky to have the great benefit of your prowess as an editor and book designer for us. It is a deep pleasure to be talking with you, now, not just about poetry, but about your poetry. I’m very excited that you have a manuscript coming out soon with Called Back Books, and we are thrilled to be publishing u&i, which does share with your previous poetry, in tone and tensions, some of the irreverence your work reflects in relation to the“lyric I.” But this text, u&i, seems be using a very different lens of technique or techniques, as it delves into that territory or territories. Can you speak to the ways that this work disarms, diverts, destabilizes a reader, as well as the agent of voice, which is nearly but never entirely disarmed of its agency, even as the sentences read with such luminous clarity?