This interview by H.L. Hix continues a series that began as multi-question interviews but now has taken the form of one-question “mini-interviews.” To ask a series of questions about a book is to keep returning to the book and thus to emphasize its opacity, to regard it as one would regard, say, a painting. To ask a single question, Hix tells himself, is to emphasize the book’s transparency, to regard it as one would a window, as what offers a vista, what frames for us a world. The subject of this interview is Lisa Fishman’s Flower Cart (Ahsahta Press).
H. L. Hix: I keep returning to this sentence on the next-to-last page of the book: “This could continue only by being a letter because what is most real is the person in the alcove or the object on the table or the shimmering idea.” I think I’m drawn to it because it gives me a way to talk about why your book so resonates with me: I take it as—whatever else it’s also doing—undertaking an intense inquiry into what is most real, on the tacit premise that typically we don’t recognize the most real as the most real. I’m not coming up with a good way to end this “question” with a question mark, but I will be interested in any way you have of responding to it.
Lisa Fishman: I like your question-comment a lot. It appeals to me, the possibility that flowercart could be an inquiry into what is most real. Intuitively, I would like that to be the case, among whatever else the book is or is doing or undertaking.